Like I Like It Mau P
Tune of the week 23rd May 2025
Alright, AudioJacked.com fam, buckle up! We’re diving deep into the sonic vortex with none other than Mau P and his latest earth-shaker, 'Like I Like It'. This isn't just another track; it's a statement, a vibe, and a testament to an artist who’s truly shaping the dance music landscape.
The Buzz Around 'ID 5': From Festival Weapon to Diynamic Debut
You know that feeling when a DJ drops that track, the one that makes the whole crowd lose its mind, and you have no idea what it is but you NEED it? For months, that track was known simply as 'ID 5' in Mau P's sets. From the desert heat of EDC Las Vegas to the iconic mainstage of Ultra Music Festival Miami, 'ID 5' has been an undeniable highlight, sending shockwaves through crowds and sparking a frenzy of speculation online.
Well, the wait is officially over! As of Friday, May 23, 2025, 'Like I Like It' has landed as the lead track on Mau P’s brand new two-song EP, 'Too Big For B-Side', released on the legendary Diynamic label. This strategic rollout, building anticipation through those electrifying live performances, wasn't just smart marketing – it was a masterclass in igniting genuine hype, transforming a highly anticipated ID into a full-blown event.
From Maurice West to Mau P: A Journey of Authentic Sound
To truly grasp the magic of 'Like I Like It', we need to rewind a bit and understand the incredible evolution of the man behind the music, Maurits Jan Westveen, aka Mau P. His story is a powerful reminder that true artistic growth often means bravely reinventing yourself.
Born into a jazz-infused household in Amsterdam, Maurits was immersed in music from day one, picking up drums and piano, and building a foundational understanding of melody and rhythm that would serve him well. Fast forward to his teenage years, and he was swept up by the intoxicating energy of big room house, eventually producing and performing as Maurice West on the biggest stages in the world. He was living the "festival pipe dreams" with a sound that blended a '90s rave feel with acid influences.
But here's where the story gets really interesting. During the quiet of the pandemic, Maurits’s musical compass shifted. He yearned to explore deeper house and techno sounds, realizing he "didn't feel like [he] could contribute anything new" to big room. This wasn't about chasing trends; it was a profound internal drive for artistic authenticity. And so, in 2022, Mau P was born – a deliberate, courageous leap into a new musical identity.
This pivot wasn't just a stylistic change; it was a testament to the power of staying true to your evolving artistic vision. His deep musical roots, honed through years of traditional training, gave him the versatility to seamlessly transition and excel in the nuanced world of tech house and techno. It's why his tracks are described as a "fusion of infectious grooves, mesmerizing melodies, and meticulously crafted beats" – a level of musicality that goes far beyond simple electronic sound design.
The 'Drugs From Amsterdam' Phenomenon and Beyond
The world instantly took notice with Mau P’s debut single, 'Drugs From Amsterdam'. Released on Repopulate Mars, it was an "undeniable home run," racking up tens of millions of streams, topping Beatport's charts for over a month, and earning him widespread acclaim from industry giants like Marco Carola and Jamie Jones.
'Drugs from Amsterdam' wasn't just a hit; it was a phenomenon, earning him Dance Song of the Year and House Song of the Year at the 2023 Electronic Dance Music Awards. He was crowned Breakout Artist of 2023 by Dancing Astronaut and snagged the SLAM! Global Breakthrough Award. Since then, Mau P has consistently delivered banger after banger, from collaborations like 'Metro' with Kevin De Vries to solo anthems such as 'Gimme That Bounce', 'The Less I Know the Better' (another Beatport #1!), and 'Merther'. His diverse background, from songwriting to even pop experimentation, is clearly a secret weapon in his consistently unique and successful productions.
'Like I Like It': The Symphony of Hype and Resonance
The reception of 'Like I Like It' has been nothing short of explosive. The "ID 5" phenomenon, with its consistent appearance in Mau P’s festival sets, created an unparalleled buzz. This live "teasing" transformed the track into a highly anticipated event, proving that organic, high-impact buzz generated by an artist's live presence and fan communities can be far more powerful than traditional advertising. Just look at the YouTube comments ("Heat heat heat heat heat heat") or TikTok reactions ("WTFFFF DUUBBBBBB") – pure, unadulterated excitement!
In today's digital age, fan-generated content – Reddit threads, TikToks, comments – is the real barometer of a track’s potential. It’s immediate, authentic, and shows a direct connection with the audience. Mau P even playfully "trolled" his Coachella crowd with a Radiohead remix instead of another anticipated ID, only to prove how fervent the anticipation for his unreleased material truly was.
Released on Diynamic, 'Too Big For B-Side' (featuring 'Like I Like It') has already climbed to #44 on the Beatport Top 100 Releases for Tech House, with other Mau P tracks still dominating the charts. While 'Like I Like It' is fresh out of the gate, with 'Drugs From Amsterdam' boasting over 221 million Spotify streams, there’s no doubt his massive fanbase will ensure its immediate commercial visibility and continued success.
The Art of Resonance: Why Mau P Connects So Deeply
So, what makes a Mau P track, especially 'Like I Like It', connect on such a profound level? It's a masterful blend of signature sound design and an intuitive understanding of dancefloor psychology.
Mau P's sonic identity is instantly recognizable: "captivating basslines and groove-induced house melodies." His productions are a "fusion of infectious grooves, mesmerizing melodies, and meticulously crafted beats." This isn’t about throwing a million elements into a track; it's a "less is more" philosophy. He focuses on precision, impact, and perfectly executed elements.
Take his production techniques: "automated build-ups and drops, along with some varied vocal chops and transitions" create a dynamic energy that manipulates tension and release, building to those "euphoric" dancefloor moments. His "plucky bass sound" with a "filter envelope and asymmetrical distortion" makes the bass both "powerful and dynamic," layered for extra depth. And his drum programming? Simple yet exceptionally effective, with layered kicks and claps, and subtle variations that inject vital energy and maintain that irresistible groove. This meticulous sound design ensures clarity and punch on huge sound systems – crucial for any successful tech house anthem.
But it’s more than just technical brilliance. Mau P understands the psychology of the dancefloor. Music, especially dance music, taps into our brain’s reward system, releasing dopamine and creating pure pleasure. Mau P’s tracks are explicitly designed to "transport listeners to a state of euphoria." When a crowd chants a bass riff, and then is "caught off guard" by an explosive drop – that’s Mau P masterfully manipulating our emotional and neurological responses, creating those unforgettable, shared experiences.
Despite his meteoric rise to festival headliner status, Mau P’s sound consistently maintains a "deep connection to the underground." His deliberate shift from big room to deeper house and techno was a move driven by authenticity, by following what "spoke to him." This unique ability to bridge the gap between niche credibility and widespread appeal is what sets him apart. It’s a testament to the idea that a genuine "underground" sound, expertly produced, can resonate globally because it offers artistic integrity and a departure from overly commercial formulas.
Solidifying a Legacy
'Like I Like It' isn't just a fantastic track; it's a symbol of Mau P's refined artistic vision and masterful production. Its journey from an elusive "ID 5" to a celebrated Diynamic release highlights a strategic, highly effective approach to engaging a global audience. The track's immediate chart performance and overwhelmingly positive fan reception are proof positive of a well-executed rollout and Mau P's consistent ability to deliver dance music that truly moves you.
His signature sound – those infectious basslines, groove-driven melodies, and dynamic arrangements – is specifically engineered to trigger euphoric responses on the dancefloor. This isn't just about making good music; it’s about understanding human psychology and expertly manipulating sonic elements to create a shared, visceral experience.
Mau P’s artistic evolution, from Maurice West to his current identity, shows a profound commitment to authenticity and an incredible ability to innovate in the ever-changing electronic music landscape. With consistent chart-toppers, acclaimed remixes, and electrifying live performances, he’s solidified his position as a leading and influential figure in house and techno. He's not just releasing tracks; he’s actively shaping the sound, the experience, and the very future of electronic dance music.
So, turn it up, let the bass consume you, and embrace the euphoria that only Mau P can deliver. You’ll definitely 'Like It'.
It's Friday, May 23rd, 2025, and time for another Tune of the Week from AudioJacked! We're diving deep into the dynamic world of electronic dance music, bringing you the sounds that are dominating the scene. This week, we're putting a massive spotlight on Mau P's highly anticipated 'Like I Like It' and giving you an in-depth look at the top five tracks currently shaping the Bass House landscape.
Want to hear the full list and get your dancefloor fix? Head over to our dance music playlist now!
Tune of the Week: Mau P - 'Like I Like It'
Artist Background: Mau P – A Master of Tech House Evolution
Maurits Jan Westveen, known professionally as Mau P, has rapidly ascended to prominence in the electronic music scene since dedicating his focus to producing and performing house and techno, particularly tech house, in 2022. His breakthrough came with "Drugs from Amsterdam" (2022), which quickly hit number one on Beatport and was recognized by Billboard Magazine as one of the "Best 50 Dance Tracks Of 2022." He continued this success with tracks like "Metro" (with Kevin de Vries), "Gimme That Bounce," and "The Less I Know the Better," solidifying his profound impact.
Mau P's talent has earned him numerous accolades, including "Breakout Artist of 2023" by Dancing Astronaut and the SLAM! Global Breakthrough Award. He also received two Electronic Dance Music Awards for "Drugs from Amsterdam" ("Song of the Year" and "Dance Song of the Year" in 2023), underscoring his strategic evolution and refined market positioning.
The Label: DIYNAMIC – A Pillar of Melodic House & Techno
Mau P's 'Like I Like It' finds its home on DIYNAMIC, a highly respected German electronic music label founded in Hamburg in 2006 by Solomun and Adriano Trolio. DIYNAMIC is celebrated for its innovative releases with a strong emphasis on house and techno, characterized by a "melodic and emotionally resonant" sound. While initially focusing on minimal techno, the label has successfully diversified into deep house, maintaining a distinct "deep" or "soulful" approach. Over the past decade, DIYNAMIC has become one of the most successful and influential electronic music labels globally, consistently pushing boundaries and defining the sound of contemporary dance music. Their roster includes influential artists like Solomun, Adriatique, and Stimming.
DIYNAMIC's enduring success is rooted in its consistent curatorial vision, attracting artists like Mau P whose musical style aligns perfectly with the label's aesthetic, creating a synergistic relationship that reinforces DIYNAMIC's reputation as a tastemaker.
Track Review: 'Like I Like It' – A Deep Dive into the Buzz
'Like I Like It' has been one of the most talked-about unreleased tracks in the electronic music circuit, frequently teased by Mau P as "ID 5" in his sets. Its electrifying performances at major festivals like EDC Las Vegas and Coachella generated "palpable excitement" and "frenzy" among fans, with social media reactions overwhelmingly positive. This significant pre-release hype is a powerful testament to its immediate and undeniable dancefloor impact.
While a direct critical review isn't explicitly provided, the track aligns with Mau P's signature style: "captivating basslines and groove-induced house melodies, interwoven with a deep connection to the underground." Drawing from his own descriptions, it likely features "screaming vocal[s], bouncy bassline[s] with those fat classic kicks, [and] rave pluck[s]," all meticulously crafted to create "chaos" and set an undeniable "vibe."
Mau P's deliberate strategy of road-testing 'Like I Like It' as an unreleased "ID" at high-profile festivals before its official release is a masterclass in building organic anticipation. This approach not only generates massive buzz but also fosters a deeper, more exclusive connection with fans. The track's ability to generate such a strong response as an "ID" unequivocally signifies its inherent dancefloor appeal and its immense potential to become a staple in DJ sets worldwide. Its official release on May 23rd, 2025, marks a significant moment for both Mau P's burgeoning career and the wider tech house scene.
Audiojacked's Top 5 Bass House Chart: May 2025 – The Tracks Dominating the Dancefloor
Beyond our 'Tune of the Week,' the Bass House scene is brimming with vibrant energy and fresh sounds. Here are the next five essential tunes from the Beatport Top 20 Bass House Tracks for May 2025, as featured on Audiojacked. This chart is a crucial barometer for what professional DJs are spinning and what is truly igniting dancefloors globally. The prevalence of "Extended Mix" versions highlights that these tracks are engineered for seamless mixing by professional DJs in club and festival settings, reflecting direct demand from working DJs.
Track 1: AC Slater, Curbi, BIG WETT - 'Psycho Extended Mix'
Artist Backgrounds:
AC Slater: A foundational figure in Bass House, credited with pioneering the genre, fusing traditional house with UK garage basslines and rave synths. He founded Night Bass Records to champion his distinct sound.
Curbi: A British electronic producer known for energetic, bass-heavy tracks blending future house and bass house. He has collaborated with industry giants and runs his own label, "Seeing Is Believing."
BIG WETT: A Melbourne electro-pop sensation known for 90s-inspired dance beats and explicit lyrics, embodying queer pride, femme power, and sexual empowerment.
Record Label: Night Bass Records: Founded by AC Slater in 2014, it's a leading force in Bass House, known for pushing forward-thinking music and introducing new talent.
Song Review: A "wicked collaboration" described as a "sonic punch packed with gritty distortion and half-tempo trap fire," delivering "unrelenting energy" from start to finish. Its intentional chaotic nature makes it a formidable dancefloor weapon. This collaboration strategically combines fanbases for broader chart success.
Track 2: Gangs Type - 'Feel Alive Original Mix'
Artist Background: Gangs Type: While specific biographical details are limited, the artist's name and the track's genre suggest an artist operating within harder-hitting or more underground electronic music subgenres.
Record Label: Disturbed Records: An electronic music label founded in 2005 by Marko Russiver and Teddie Wardi, primarily known for drum and bass. Their release of a Bass House track indicates a bold approach to exploring adjacent electronic genres.
Song Review: Released on May 16, 2025, this Bass House track's "Original Mix" format is standard for club and festival play, signifying its effectiveness on the dancefloor and resonance within the Bass House community.
Track 3: Haylee Wood - 'No Boys Extended Mix'
Artist Background: Haylee Wood: A Florida-born, Los Angeles-raised DJ, producer, and vocalist making significant waves in the tech house scene. Her energetic sound and "powerful ear for what's up next" are notable, with collaborations and live sets designed to get audiences moving.
Record Label: Create Music Group: An independent American music distribution, publishing, and data analytics company founded in 2015. They have grown into a "billion-dollar enterprise," acquiring significant catalogs and focusing on "innovation meets music" and "release strategy."
Song Review: Released on May 16, 2025, this track has garnered strong positive feedback, described as "fire," "hype," and a "slap." The "Extended Mix" format clearly indicates its intended use in DJ sets, underscoring Haylee Wood's rising influence.
Track 4: DJ Meetch - 'Will F*K You Up Extended Mix'
Artist Background: DJ Meetch: A rising star in electronic music from Los Angeles, known for electrifying crowds with his unique blend of Bass House and Tech House. He gained attention via SoundCloud and has performed with industry giants.
Record Label: Skink: An influential record label founded by the Dutch powerhouse duo Showtek, who transitioned from techno and hardstyle to a broader range of EDM genres. Skink serves as a platform for various artists aligning with Showtek's diverse sound.
Song Review: Described as DJ Meetch's "most explosive release to date" and a "thunderous new single." It's characterized as a "sonic punch packed with gritty distortion and half-tempo trap fire," delivering "unrelenting energy from start to finish," making it a "no-holds-barred club weapon."
Track 5: Matsu - 'Don't Need Nobody Original Mix'
Artist Background: Matsu: A Brooklyn-based DJ and producer renowned for blending technical precision with genre-defying, high-energy club tracks. He has competed on global stages and been recognized by DJ Mag as an "emerging artist to watch."
Record Label: Wagyu Records: An electronic music label closely associated with Matsu, featuring his tracks and collaborations, suggesting a specialized or artist-aligned focus on the unique sounds of its core roster.
Song Review: This track holds a strong position on the Beatport chart, indicating its strong appeal and effectiveness within the Bass House genre. Its "Original Mix" format is consistent with tracks intended for professional DJ play, contributing to Matsu's growing reputation.
Conclusion
This week's deep dive into Mau P's 'Like I Like It' and the top Bass House tracks reveals key dynamics shaping the electronic music landscape. Mau P's strategic "ID" teases at major festivals demonstrate how artist-driven hype translates into significant impact upon official release, fostering a deep connection with the fanbase.
The consistent presence of "Extended Mix" versions across the Bass House chart underscores that these tracks are primarily for professional DJs, highlighting Beatport's role as an industry barometer reflecting utility and demand in club and festival environments. This reinforces the genre's focus on seamless transitions and sustained energy on the dancefloor.
Furthermore, the prevalence of collaborations, like 'Psycho Extended Mix' by AC Slater, Curbi, and BIG WETT, signifies a crucial trend within Bass House. These partnerships are strategic moves that combine fanbases, enhance visibility, and drive market penetration, essential for artists aiming for top chart positions.
The diverse backgrounds of artists and labels contributing to the Bass House sound—from established pioneers like AC Slater and Night Bass Records, to rising talents like Haylee Wood and DJ Meetch supported by dynamic entities like Create Music Group and Skink—showcase a scene thriving on both foundational expertise and fresh perspectives. Even labels primarily known for other genres are exploring Bass House, showcasing its broad appeal and flexibility.
In essence, the current state of Bass House is one of vibrant innovation, strategic collaboration, and a clear understanding of its core audience. Artists are leveraging live performances and collaborative efforts to build anticipation and extend their reach, while labels continue to curate and promote music that prioritizes dancefloor utility. This dynamic interplay ensures the genre remains energetic, diverse, and a driving force in electronic music.
Don't forget to check out our dance music playlist to hear all these incredible tracks and more!
Full Chart this week
| Position | Name | Artist | Composer | Album | Genre |
|---|---|---|---|---|---|
| 1 | Like I Like It | Mau P | Maurits Westveen & Robert Pronk | Too Big For B-Side - Single | Dance |
| 2 | Hooked on the Bass | Audio Jacked | Audio Jacked | Hooked on the Bass - Single | House |
| 3 | Ease My Mind (Odd Mob Remix) | Chris Lake, Abel Balder & Odd Mob | Abel Balder, Chris Lake & Vaughn Oliver | Ease My Mind - Single | Dance |
| 4 | Heard It All Before | Amy Wiles, Leena Punks & flowanastasia | Amy Wiles, Oliver Leonard, Lina Psalia, Anastasia Klyushin & Mitch Jones | Heard It All Before - Single | Trance |
| 5 | Last Day | Josh Butler & Chesster | Joshua William Butler & Victor Cester | Last Day - Single | House |
| 6 | light years (feat. Inez) | John Summit | John Walter Schuster, Frederik Geuze, Jan Hammele, Andreas Josef Huber, Andrew Douglas Tyler & Inéz Kappenstein | light years (feat. Inez) - Single | Dance |
| 7 | Yimanya | Adem Bogoceli & Farenthide | Maarten Wilmaers, Bert Wilmaers, Adem Bogoceli & Farenthide | Yimanya - Single | Afro House |
| 8 | La Luz | Franc Fala & Benja (NL) | Stijn Wind, Jesse Mak & Joseph Hernandez | La Luz - Single | Afro House |
| 9 | Universe | Korolova & Zamna Soundsystem | Andrea Arcangeli | Universe - Single | Electronic |
| 10 | Over You | Nathan Dawe & Shayan | Abi Flynn, Ellis Miah, Nathan Dawe, Robert James Harvey & Shayan | Over You - Single | Dance |
| 11 | Radiance | Arodes & PÆDE | Adrian Rodríguez & Patrick Oliver Gobonya | Radiance - Single | Afro House |
| 12 | Supersonic | Marlon Hoffstadt & DJ Daddy Trance | Marlon Hoffstadt | Supersonic / Hands Up In The Sky - Single | Dance |
| 13 | Psycho | Curbi, AC Slater & BIG WETT | Aaron Clevenger, Bronte Kathleen Maguire & Toby Curwen-Bingley | Psycho - Single | Dance |
| 14 | Rails | Filip Grönlund | Hans Filip Grönlund | Rails - Single | Techno |
| 15 | About To Begin | Barry Can't Swim | Joshua Mainnie | Loner | Electronic |
| 16 | Can't Decide | Max Dean, Luke Dean & Locky | Jordan Lee & Qendresa Sopa | Can't Decide - Single | Dance |
| 17 | Midnight (feat. Wrabel) | Deep Dish & Eynka | Ali Shirazinia, Sharam Tayebi, Christopher Hall, Dave Hall, Joshua Field, Stephen Wrable, Matthew Nordstrom & Matthew Ryan Nordstrom | Midnight (feat. Wrabel) - Single | Dance |
| 18 | Charged Up | Firebeatz | Jurre van Doeselaar & Tim Benjamin Smulders | Charged Up - Single | Dance |
| 19 | 2015 | Habstrakt & Elmyx | Adam Jouneau & Emile Lafon | From Within (part 1) - Single | Electronic |
| 20 | If I Ever Lose My Faith (feat. Sting) | Simone Vitullo & The Scumfrog | Gordon Sumner | If I Ever Lose My Faith (feat. Sting) - Single | Afro House |
| 21 | Up Top | NGHTMRE, Flowdan & Sully | Tyler Marenyi, Marc Veira & Christopher Sullivant | Up Top - Single | Jungle/Drum'n'bass |
| 22 | DEYA (feat. Nonso Amadi) | Kito | Maaike Kito Lebbing, Noah Beresin & Nonso Amadi | DEYA (feat. Nonso Amadi) - Single | Dance |
| 23 | Last Time | Jaded, Kino Todo & Dances | Nariman Akrami, Jordan Parkinson, Yair Raviv & Devin Duran Bolton | Last Time - Single | Dance |
| 24 | Breathe Me In | DJ Planet Express | Joseph Nino Manzoli | Breathe Me In / Waves - Single | Dance |
| 25 | Oxygen (feat. JAI RYU) | Repiet & Brooks | Pieter Beeldman, Thijs Westbroek, Toby Jacob, Freek Van Der Heide & Jeroen Sjoers | Oxygen (feat. JAI RYU) - Single | Dance |
| 26 | Grove St. Party | Proppa & Waka Flocka Flame | D. Chatman, J. Malphurs & L. Lewis | Grove St. Party - Single | Dance |
| 27 | The Rhythm | Skytech | Rune Reilly Koelsch | The Rhythm - Single | Dance |
| 28 | Just Do It | Loco Dice & Moxie Knox | Loco Dice | Purple Jam | Electronic |
| 29 | Mind on Beat | Ship Wrek & Twin Diplomacy | Tillis James Churchill, Collin Joseph Maguire, Darius Quentin Bell & Marius Cheyenne Bell | Mind on Beat - Single | Dance |
| 30 | Nirvana (feat. Max Milner) | Vintage Culture & Layla Benitez | Lukas Rafael Ruiz Hespanhol, Layla Benitez & Max Milner | Nirvana (feat. Max Milner) - Single | House |
| 31 | Im Still Here | Mickeen & myke. | Milks Pinzulis & Milks Krevics | Im Still Here - Single | Dance |
| 32 | Gettin' Heard | nocapz. | nocapz. | More Love EP | Dance |
| 33 | Stars | A Little Sound & Arcando | Abigail Kate Morgan, Kathleen Brien & Marc Bandecchi | A Lotta Noise - EP | Dance |
| 34 | Diamonds | Danny Avila & Matt Sassari | Danny Avila & Matt Sassari | Diamonds - Single | Dance |
| 35 | Let's Ride Away | Avicii & Elle King | Tim Bergling, Luke Laird & Kacey Musgraves | Avicii Forever | Dance |
| 36 | Save Me | Giolì & Assia | Giorgia Lipari & Assia Nania | Save Me - Single | House |
| 37 | Las Avispas | HUGEL, Brøder & Spijker | Juan Luis Guerra | Las Avispas - Single | Dance |
| 38 | Tomorrow | Joris Voorn | Joris Voorn | Tomorrow | Dance |
| 39 | Desire | EDX | Maurizio Colella, Christian Beat Hirt, Jessica Chloe Ball, Antoni Polimeni & Richy Sebastian | Desire - Single | Dance |
| 40 | The Longest Road Ahead | Morgan Page & Will Sparks | Morgan Page & Elisabeth Maurus | The Longest Road Ahead - Single | Trance |
| 41 | Staring Into The Sun | DJ HEARTSTRING | Leonard Hans Victor Brede, Jonas Hellberg, Paul Davis, Michelle Lewis & Ryan Clapham | Staring Into The Sun - Single | Dance |
| 42 | Gimme the Love (feat. Alessia Labate) | Armin van Buuren & Seth Hills | Armin van Buuren, Alessia Labate, Sergio van den Heuvel, Rory Alexander Hope & Jann Coucheron-Aamot | Gimme the Love (feat. Alessia Labate) - Single | Trance |
| 43 | Sunglasses at Night | Camo & Krooked, Tiga & Zyntherius | Corey Hart | Sunglasses at Night - Single | Dance |
| 44 | Limitless (Arcando Remix) | Martin Garrix & Mesto | Martijn Garritsen & Melle Stomp | Limitless (Arcando Remix) - Single | Dance |
| 45 | Burning World | Audio Jacked | Audio Jacked | Burning World - Single | House |
| 46 | Won't Be Possible | Tiësto, Odd Mob & Goodboys | Ethan Shore, Harrison Hope, Joshua Grimmett & Tijs Verwest | Won't Be Possible - Single | Dance |
| 47 | talk to me | sander baie | Aleksander Moczko & sander baie | talk to me - Single | Electronic |
| 48 | Surrender | Alesso & Becky Hill | Conor Blake Manning, Alida Garpestad Peck, Alma Goodman, Kevin Hickey, Alessandro Lindblad & Rebecca Claire Hill | Surrender - Single | Dance |
| 49 | Something to Believe In | Julian Jordan | Julian Dobbenberg | Something to Believe In - Single | Dance |
| 50 | Sichuan | Gigi Testa | Gigi Testa & Luigi Testa | Sichuan - Single | Disco |
| 51 | She Knows It | Curious Mind | Guido Bosmans | She Knows It - Single | Dance |
| 52 | Renegade Master (Don Diablo Edit) | G-Pol | Eddy Castellanos | Renegade Master (Don Diablo Edit) - Single | House |
| 53 | Offsides | Spencer Brown | Onofrio Spencer | Offsides - Single | Dance |
| 54 | My Pleasure Is Yours | BLACKCLUB | Cara Ozetta Givens & Itorobong Etim-Barbosa | Pleasure - Single | Dance |
| 55 | Blessings | Calvin Harris & Clementine Douglas | Calvin Harris & Clementine Douglas | Blessings - Single | Dance |
| 56 | Need You By Myself | Audio Jacked | Audio Jacked | Need You By Myself - Single | House |
| 57 | Rhythm of the Night | Audio Jacked | Audio Jacked | Rhythm of the Night - Single | House |
| 58 | Step Away from the Fire | Audio Jacked | Audio Jacked | Step Away from the Fire - Single | House |
| 59 | Fine | Audio Jacked | Audio Jacked | Fine - Single | House |
| 60 | Wired | Audio Jacked | Audio Jacked | Wired - Single | House |
| 61 | Alive | Audio Jacked | Audio Jacked | Alive - Single | House |
| 62 | Hit Me | Audio Jacked | Audio Jacked | Hit Me - Single | House |
| 63 | funk yeah | Audio Jacked | Audio Jacked | funk yeah - Single | House |
| 64 | Break It Down | Audio Jacked | Audio Jacked | Break It Down - Single | House |
| 65 | Every Night | Audio Jacked | Audio Jacked | Every Night - Single | House |
| 66 | Lost | Audio Jacked | Audio Jacked | Lost - Single | House |
| 67 | My Life (Extended Mix) | Audio Jacked | Audio Jacked | My Life - Single | House |
| 68 | Beyond (feat. Robbie Hutton) | Audio Jacked | Audio Jacked | Beyond (feat. Robbie Hutton) - Single | Electronic |
| 69 | Take It Over | Audio Jacked | Audio Jacked | Take It Over - Single | House |
| 70 | Set This House On Fire | Audio Jacked | Audio Jacked | Set This House On Fire - Single | House |
| 71 | Bassline Pumping | Audio Jacked | Audio Jacked | Bassline Pumping - Single | House |
| 72 | Born Crazy (feat. Joe Bills) | Audio Jacked | Audio Jacked | Born Crazy (feat. Joe Bills) - Single | Dance |
| 73 | Divine | Audio Jacked | Audio Jacked | Divine - Single | House |
| 74 | Bring in the Bass | Audio Jacked | Audio Jacked | Bring in the Bass - Single | House |
| 75 | Gimme Something | Audio Jacked | Audio Jacked | Gimme Something - Single | House |
| 76 | Love What You See | Audio Jacked | Audio Jacked | Love What You See - Single | Pop |
| 77 | Push the tempo (feat. Honey B Sweet) | Audio Jacked | Audio Jacked | Push The Tempo (feat. Honey B Sweet) - Single | House |
| 78 | Feel The Beat (feat. Felicia Catharina) | Audio Jacked | Audio Jacked & Felicia Catharina | Feel The Beat (feat. Felicia Catharina) - Single | House |
| 79 | Breathe | Audio Jacked | Audio Jacked | Breathe - Single | House |
| 80 | Find the Love Tonight | Audio Jacked & Robbie Hutton | Daniel Puddick | Find the Love Tonight - Single | Dance |
| 81 | Feel This High Forever (feat. Robbie Hutton) | Audio Jacked | Audio Jacked | Feel This High Forever (feat. Robbie Hutton) - Single | Dance |
| 82 | Lose Control | Audio Jacked | Audio Jacked | Lose Control - Single | House |
